Political activist Nuru Okanga ignited a firestorm by blasting Kenyan musician Akothee, labelling her “Akothee ni Malaya” (Akothee is a prostitute) over her viral half-naked stage performance with artist Prince Indah at the Watoto Wasoka Festival.
The provocative dance, featuring Akothee in a revealing outfit, drew widespread attention, with clips amassing thousands of views. Okanga, a vocal ODM supporter, criticised the performance as “immoral,” sparking debates over artistic freedom and cultural norms, with searches for “Akothee half-naked performance” and “Nuru Okanga Akothee controversy” trending.
The performance, held on August 10 at Nyayo Stadium, saw Akothee, known for hits like “Give It to Me,” deliver a high-energy set with Prince Inda, whose suggestive choreography fueled the controversy.
The video showed Akothee in a glittery, barely-there outfit, prompting Okanga to condemn her for “promoting immorality” in a YouTube rant on Kenya News Alerts TV.
“This is not culture; it’s shameful for our children,” he said, echoing sentiments from conservative groups. Akothee, a self-proclaimed feminist and philanthropist, defended her act as artistic expression, stating on Instagram, “I’m an entertainer, not a role model for your kids.” Her response, liked by thousands, intensified the clash.
Okanga, a 47-year-old activist from Kayole, has a history of provocative commentary, often targeting political figures like President William Ruto. His attack on Akothee, however, marks a shift to cultural critique, accusing him of hypocrisy given his controversial antics, such as a fire-breathing TikTok skit.
Supporters backed Okanga, arguing that Akothee’s performance crossed moral boundaries in a family-friendly event. The Watoto Wasoka Festival, aimed at youth empowerment, faced scrutiny for allowing such acts, with organisers promising stricter oversight.
Nuru Okanga pic.twitter.com/lS1H6bEkHK
— The Nairobi Times (@TheNairobiTimez) August 13, 2025
The Akothee half-naked performance controversy reflects broader tensions over modernity versus tradition in Kenya’s entertainment scene. Akothee, 43, has long courted controversy with her bold persona, from her 2023 marriage to Denis Schweizer to her outspoken views on women’s rights, per Pulse Live Kenya.
Prince Inda, a rising Ugandan star, remained silent, but his team noted the performance was rehearsed to “celebrate African vibrancy.” Critics argue the backlash highlights double standards, as male artists like Willy Paul face less scrutiny for similar acts.
The debate has boosted searches for “Akothee Prince Inda video” and “Kenya stage performance controversy.”Public sentiment is divided, with younger fans defending Akothee’s artistic freedom, while religious and community leaders echo Okanga’s concerns.
Akothee’s philanthropy, including her Akothee Foundation supporting education, has been overshadowed by the uproar, with some fans urging a focus on her positive contributions.
Akothee With Prince Indah pic.twitter.com/XYSEpFPgUU
— The Nairobi Times (@TheNairobiTimez) August 13, 2025
As the Akothee half-naked performance controversy rages, Okanga’s remarks have amplified scrutiny on Kenya’s entertainment industry. Akothee’s defiance shows her resilience against criticism. Calls for dialogue on cultural boundaries grow, with the festival’s reputation at stake.
The Akothee half-naked performance saga has exposed deep cultural divides, with Okanga’s “Malaya” jab fueling debates on morality versus art. Akothee’s unapologetic stance keeps her in the spotlight, but questions linger about event oversight.
Searches for “Akothee half-naked performance backlash” reflect ongoing public interest. Okanga’s attack on Akothee’s half-naked performance has sparked a broader conversation about artistic expression in Kenya.
While Akothee defends her creative freedom, critics demand accountability for public performances. The controversy highlights the need for clear guidelines to balance culture and modernity.
In conclusion, Nuru Okanga’s “Akothee ni Malaya” outburst over her half-naked performance with Prince Inda has ignited a firestorm, polarising fans and critics.
The Akothee half-naked performance controversy underscores tensions between artistic liberty and cultural norms. As searches for “Akothee new controversy 2025” surge, the debate demands nuanced solutions to navigate Kenya’s evolving entertainment landscape, ensuring respect for diverse perspectives.
