Eris Mzava Blasts Critics Over Diamond Show Attacks on Rayvanny

Tanzanian music video director Eris Mzava hit out sharply at analysts who attended Diamond Platnumz’s latest concert and tore into performances there. The man known for directing Rayvanny clips accused them of working as hired guns to undermine his artist. He made the claims public on social media this week after the high-profile show in Dar es Salaam drew massive crowds on June 28th.

Why did Eris Mzava call out the music analysts?

Eris Mzava believes these critics deliberately target Rayvanny with negative comments because someone pays them to do so. He explained his frustration in a lengthy post that quickly spread across platforms.

The director opened up about the pattern he sees. Analysts flock to big events featuring Diamond Platnumz. Then they pick apart every detail. Eris Mzava wrote that analysis itself counts as a fine idea. Yet he sees something else at play with this group.

Short sentences hit hard in his message. “Hunger drives them,” he suggested. Problems appear in any show, and they pounce. He questioned their motives openly.

Eris Mzava serves as the main director behind many of Rayvanny’s popular videos. His work helped shape hits that racked up millions of views on YouTube between 2022 and 2025. Fans recognise his creative touch in tracks that dominated East African charts. Now he defends his artist fiercely against what he views as coordinated criticism.

Who sends these critics after Rayvanny, according to Eris Mzava?

The director points fingers at interested parties who want to boost one star while pulling down another. In his post he stated they get paid to praise their boss. He urged them to stop the constant focus on Rayvanny.

Music industry sources in Dar es Salaam confirm intense rivalry exists between the camps. Diamond Platnumz drew over 25,000 fans to his recent concert at the Diamond Arena.

Organisers reported ticket sales exceeding 180 million Tanzanian shillings. Rayvanny, on the other hand, held his own event earlier in May that attracted solid numbers in Mwanza.

Eris Mzava did not hold back. He addressed the critics directly through his writing. “Uchambuzi ni idea nzuri ila kwa wachambuzi hawa watakuwa wametumwa sasa njaa ikiingia ndio shida ilipo hapo.” Those words captured the raw emotion many artists feel when reviews turn personal.

He continued with pointed advice. If flaws show up in a performance, then fine, point them out. But he suspects payment influences the tone. “Pia niwaambie mumelipwa mumsifie bosi wenu achaneni na rayvanny kama hamna chakusema kuhusu yeye.” The director made clear his irritation with daily attacks.

Rayvanny once collaborated closely with Diamond Platnumz under the Wasafi label before branching out. Their separate paths created loyal fan bases that clash online. Numbers from streaming platforms show both artists pulled strong numbers in the first half of 2026, with Rayvanny gaining ground in regional markets like Uganda and Kenya.

Eris Mzava added more heat to his message. He told the critics they see the fire his artist brings yet still choose to attack. “Sio kila kukicha kumshambulia wakati moto wake munauona sasa; tukisema mmetumwa, mnasema tunawaonea.”

Social media lit up with reactions. Posts supporting Eris Mzava gained thousands of likes within hours. Fans shared clips of Rayvanny’s recent performances to counter the negativity. One supporter in Arusha wrote that directors like Eris Mzava protect the brand while artists focus on creating.

The music video director built his name through hard work on set. Long hours under hot lights. Endless takes to capture perfect shots. His bond with Rayvanny runs deep after years of joint projects. That loyalty now fuels his strong stand.

Industry veterans recall similar disputes in past years. Critics play a real role in shaping public opinion. Yet accusations of bias surface whenever big names collide. Concert attendance figures tell part of the story. Diamond Platnumz’s events consistently sell out faster, but Rayvanny maintains steady growth in digital streams.

Eris Mzava’s post went beyond a simple complaint. He challenged the analysts to focus on facts rather than manufactured drama. He warned that constant targeting damages the entire industry. Young talents watch these exchanges and wonder about fair treatment.

Temperatures run high in the competitive bongo flava world. Artists pour energy into new releases. Directors like Eris Mzava invest time and vision. Fans invest emotions. When criticism feels unfair, lines get drawn.

The director ended his message on a firm note. He called for balance. Genuine analysis helps everyone improve. Paid attacks achieve nothing positive. His words resonated with many who follow the ups and downs of Tanzanian music stars.